Lusheng Liange

Lusheng Liange
芦笙恋歌
	; Bust de l'actriu protagonista al Changchun Movie Wonderland.
Fitxa
Productora	Estudi de cinema de Changchun
Dades i xifres
Estrena	1957

Lushang Liange (xinès simplificat: 芦笙恋歌, pinyin: Lúshēng Liàngē, literalment Cançó d'amor de Lusheng) és una pel·lícula xinesa dirigida per Yu Yanfu i produïda el 1957 per l'estudi de cinema de Changchun. Juntament amb Wu duo Jinhua i Bing shan shang de laike, la pel·lícula és un exemple del cinema xinés de l'època centrat en les minories del país, on els personatges són representats d'una manera simpàtica i folklòrica, i l'amor és una part central de la trama,^[1] alhora que es posa de relleu l'opressió que els pobles havien patit pel sistema feudal.^[2] La pel·lícula narra una història protagonitzada per membres del poble Lahu.^[1]

Referències

↑ ^1,0 ^1,1 Yuan, Haiwang «Chinese Ethnicities and Their Culture: An Overview». DLPS Faculty Publications, 31-08-2008. «Love is an eternal theme of artistic creation. Outstanding were Lusheng liange (Love Song to the Tune of Lusheng) about the Lahu people, Wu duo jinhua (Five Golden Flowers) about the Bai, and Bingshan shang de lai ke (Guests from the Icy Mountains), about Uygur and Tajik. Most of them starred actors and actresses from ethnic minorities.»
↑ Lu, Xiaoning «The Politics of Recognition and Constructing Socialist Subjectivity: reexamining the national minority film (1949–1966)». Journal of Contemporary China, 23, 86, 04-03-2014, pàg. 372–386. DOI: 10.1080/10670564.2013.832543. ISSN: 1067-0564. «Films such as Hasen and Jiamila (Hasen yu Jiamila, dir. Wu Yonggang, 1955), The Love Song of Lusheng (Lusheng liange, dir. Yu Yanfu, 1957), Dai Doctor (Moya Dai, dir. Xu Tao, 1960) and Serfs (Nongnu, dir. Li Jun, 1963) concentrate on disclosing the oppression that minority nationalities suffered from primitive/feudal socio-political systems»

[:0-1] 1,0 ^1,1 Yuan, Haiwang «Chinese Ethnicities and Their Culture: An Overview». DLPS Faculty Publications, 31-08-2008. «Love is an eternal theme of artistic creation. Outstanding were Lusheng liange (Love Song to the Tune of Lusheng) about the Lahu people, Wu duo jinhua (Five Golden Flowers) about the Bai, and Bingshan shang de lai ke (Guests from the Icy Mountains), about Uygur and Tajik. Most of them starred actors and actresses from ethnic minorities.»

[2] Lu, Xiaoning «The Politics of Recognition and Constructing Socialist Subjectivity: reexamining the national minority film (1949–1966)». Journal of Contemporary China, 23, 86, 04-03-2014, pàg. 372–386. DOI: 10.1080/10670564.2013.832543. ISSN: 1067-0564. «Films such as Hasen and Jiamila (Hasen yu Jiamila, dir. Wu Yonggang, 1955), The Love Song of Lusheng (Lusheng liange, dir. Yu Yanfu, 1957), Dai Doctor (Moya Dai, dir. Xu Tao, 1960) and Serfs (Nongnu, dir. Li Jun, 1963) concentrate on disclosing the oppression that minority nationalities suffered from primitive/feudal socio-political systems»

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